Spotlight On Public Broadcasting: Journalism

August 3-10, 2022

DAY 

DATE 

PORT 

ARRIVE 

DEPART 

3-AUG

SEWARD, ALASKA 

 

5:00 PM

WED

 

4-AUG

CRUISING HUBBARD GLACIER

 

 

5-AUG

SITKA, ALASKA 

8:00 AM

6:00 PM

FRI

 

6-AUG

JUNEAU, ALASKA 

9:00 AM

10:00 PM

SAT

 

7-AUG

SKAGWAY, ALASKA 

7:00 AM

3:00 PM

SUN

 

8-AUG

KETCHIKAN, ALASKA 

12:00 PM

7:00 PM

MON

 

9-AUG

CRUISING THE INSIDE PASSAGE

 

 

10-AUG

VANCOUVER, BRITISH COLUMBIA 

7:00 AM

 

WED

 

When PBS first went on the air more than 50 years ago, it was born out of a groundbreaking idea: that Americans deserve a non-commercial television service whose sole mission is to educate and inspire. Guided by that bold mission, public television has transformed communities and strengthened lives. PBS programs have let us traverse with the wildlife of the Okavango Delta, solve mysteries, cook alongside culinary artists, fall in love and ask a million questions. PBS has educated, engaged and inspired viewers across America, one program at a time.

This 7-night itinerary offers travelers access to some of America’s most celebrated television producers and journalists responsible for the best documentaries, investigative reporting and news programming on television and radio. Raney Aronson is the executive producer of FRONTLINE and oversees FRONTLINE’s acclaimed investigative reporting on air and online and directs the series’ editorial vision. She will be joined by Arun Rath, broadcast journalist with National Public Radio (NPR). They will share details about their professional journey and perspectives on the state of journalism in the world today.

OUR SPEAKERS:

 

DAVID FANNING 

David Fanning, FRONTLINE’s founder, served as executive producer of the series from its first season in 1983 until 2015. He was the series’ executive producer at large until February 2022.

After 40 seasons and more than 700 films, FRONTLINE remains America’s longest-running investigative documentary series on television. The series has won all of the major awards for broadcast journalism: 100 Emmys; 38 duPont-Columbia University Awards; 26 Peabody Awards; 18 Robert F. Kennedy Journalism Awards; 18 Television Critics Awards; and 8 Banff Television Awards. In 1990 and in 1996, FRONTLINE was recognized with the Gold Baton — the highest duPont-Columbia broadcast journalism award — for its “total contribution to the world of exceptional television.”   In 2002, the series was honored with an unprecedented third Gold Baton for its post-Sept. 11 coverage, a series of seven hour-long documentaries on the origins and impact of terrorism. Once again, in 2018, it received the Gold Baton “for its dynamic range of work over multiple platforms.”

Fanning — who was awarded Harvard University’s 2010 Goldsmith Career Award for Excellence in Journalism and received the 2013 Lifetime Achievement Emmy Award — began his filmmaking career as a young journalist in South Africa. His first films dealt with race and religion in his troubled homeland. He came to the U.S. in 1973 and began producing and directing local and national documentaries for KOCE, a public television station in California. His film Deep South, Deep North (1973) was a PBS/BBC co-production and the first in a long succession of collaborations between U.S. and European television. In 1977, Fanning came to WGBH Boston to start the international documentary series WORLD. As executive producer, he produced and presented more than 50 films for PBS in five years. With director Antony Thomas, Fanning produced and co-wrote Death of a Princess (1980). Then in 1982, again with Thomas, he produced Frank Terpil: Confessions of a Dangerous Man, which won the Emmy Award for best investigative documentary.

In 1982, Fanning began the development of FRONTLINE. The series has worked with hundreds of producers and journalists, covering a wide range of domestic and foreign stories. Its signature has been to combine good reporting with good filmmaking. Reviewers and critics have been lavish in their praise, calling it “the most consistently important weekly hour on television” (Cleveland Plain Dealer) and “one of the most distinguished in television history” (The Philadelphia Inquirer).

With Fanning’s enthusiastic encouragement, one of FRONTLINE’s singular achievements was its early embrace of the Internet. In 1995, FRONTLINE developed one of the first deep-content Web sites in history. By putting interviews, documents and additional editorial materials on the Web, the series made its journalism transparent and changed the nature and content of broadcast journalism. Rather than an ephemeral one-time transmission, the documentaries and all their ancillary materials are now preserved on the series Web site. As of 2015, there are more than 180 full-length documentaries streamed on the series’ Web site, one of the largest sites of its kind. “This is the great promise of public media,” says Fanning. “This is where we hold our work for the future, our public library, our contribution to the intellectual commons.”

In 1987, Fanning created the PBS series Adventure, which ran for five seasons and aired 50 programs. With adventurers Lorne and Lawrence Blair, Fanning produced Ring of Fire, an epic four-part travel series that explored the Indonesian archipelago. The series produced films with travelers and writers from Peter Mathiessen to Gerald Durrell.

In 2001, Fanning’s determination to bring more foreign stories to American audiences led to the creation of FRONTLINE/World, a television magazine-style series of programs designed to encourage a new, younger generation of producers and reporters. The emphasis has been on bringing a largely unreported world to viewers through a series of journeys and encounters. Like its counterpart series, FRONTLINE/World made a deep commitment to its Web site, offering original Web-exclusive video and reporting by graduate journalism students and an international network of correspondents. Fanning saw it as a prototype for the future, and a place to build a community of enterprising journalists.

In 2015 Fanning stepped down as executive producer and produced several films for the series. The first was “The Fish on My Plate” (2017), with producer/director Neil Docherty, and author Paul Greenberg on a personal journey from the coast of Peru to the Arctic Circle, and the wild Pacific salmon of Alaska, in pursuit of an elixir called Omega 3, and the way to a healthy life.

In 2018 with producer/correspondent  Martin Smith, Fanning produced “Bitter Rivals: Iran and Saudi Arabia”, a four hour series about the deep-seated rivalry between the Sunni and Shia sects of Islam.

In 2019, with Neil Docherty, “In the Age of AI” is a two-hour film about the race for the technological future between China and the US, and the impact of artificial intelligence on life, work and politics.

Back in 2004, Fanning received the Columbia Journalism Award, the highest honor awarded by the faculty of the Columbia University Graduate School of Journalism, recognizing “Singular journalistic performance in the public interest … David Fanning and his signature program, FRONTLINE, have turned a commitment to probing journalism and public service into an enduring national conversation, without which far too many important issues would remain veiled or hidden altogether.” 

 

RENATA SIMONE

Renata Simone has written, directed and produced documentary films since 1985.  As the series producer, reporter and writer for The Age of AIDS, a four hour documentary series on the history of the HIV/AIDS epidemic, she was responsible for production in 16 countries. After premiering in 2006 on PBS’s FRONLTINE  the series was broadcast in the U.K, Australia, Europe and South America. The series has been honored with all the major journalism awards including the Alfred I. DuPont Columbia Journalism Award, the RFK Memorial Journalism Award and a special National  Emmy Award.


Simone’s writing in the series was also recognized with a nomination for the Writer’s Guild Award for Non-Historical Documentary Writing.  In 2012, she directed, wrote and produced Endgame:AIDS in Black America, about the persistence of HIV and the path to wellness. Simone began her career in 1987, by developing the first national television series on AIDS, The AIDS Quarterly, hosted by Peter Jennings and produced for PBS by WGBH Boston. The series and its successor, The Health Quarterly, explored in-depth, the political, scientific, financial and human dimensions of a range of health issues. Simone served as Executive Editor and Executive Producer for the two series, which ran until 1995. 


In the mid-1990’s, Simone worked with Robert Redford as Executive Producer of Documentary Development at The Sundance Institute, where she initiated a series of films on political and environmental issues, participated in the new media think tank and collaborated on the creation of the Sundance Channel. As an independent filmmaker, she has written and produced long and short form documentaries on a range of political and environmental subjects for several outlets including ABC News and ABC’s Nightline. 

 

During the SARS outbreak in 2003, Simone was the first documentary producer into Hong Kong and Guangdong Province, China. For this work, Ms. Simone received the Television Award from the American Association for the Advancement of Science.  Simone is the recipient of numerous awards, including the National Emmy, two Robert F.Kennedy Memorial Journalism Awards, the Alfred I duPont-Columbia Journalism Award the George Foster Peabody Award and the Society of Professional Journalists Public Service Award. Prior to her work in television, she earned a Master’s Degree in Philosophy from the Harvard University Graduate School of Education.  


Most recently Simone served as Research Consultant for Frontline’s film on the first months of the Covid-19 pandemic, The Virus: What Went Wrong?  Currently, she is is developing a project on the strengths and challenges of the positive psychology movement.

 

  

 

 

 

 

 

 

 

 

 

 

 

 

NEIL DOCHERTY

 

Neil Docherty has produced and directed films for FRONTLINE since 1994, many of them co-productions with the Canadian Broadcasting Corporation’s documentary program, The Fifth Estate, where he was a senior editor/producer until 2016. 


Now retired from CBC, Neil continues to work with FRONTLINE and most recently directed and produced, with David Fanning the two-hour special, IN THE AGE OF AIPrior to that he directed and co-produced with David Fanning and Sarah Spinks, the film, The Fish on My Plate. He gained international acclaim for his documentary The Trouble with Evan which aired on FRONTLINE in 1994.He was awarded the 2004 Gordon Sinclair Gemini Award as Canada’s best broadcast journalist.


Neil started his career in print, first at the South Wales Echo, Cardiff’s evening paper and then The Sunday Times in London, before joining Thames Television.


Since moving to Canada in 1990 he has won more than 40 awards for his films, including an international Emmy in 1992. He is a five-time Gemini winner, and has three Hot Doc Awards. His documentary about the Salinas brothers, Money, Murder and Mexico (1997), was a co-winner of the Gold Baton at the duPont-Columbia Awards in New York and won a Silver Nymph at the Monte Carlo Television Festival.


He co-produced and directed A Dangerous Business (2003), a joint production of The Fifth Estate, FRONTLINE and The New York Times, which won numerous awards, including a Gold Medal at the New York Festival; a Silver Baton at the duPont-Columbia Awards; the George Polk Award; the Harvard Goldcrest Award for Investigative Journalism at Harvard University; a Peabody Award; an IRE award (Investigative Reporters and Editors); and the Sidney Hillman Foundation Award. The New York Times reporters Lowell Bergman and David Barstow won the Pulitzer Prize for the print articles that accompanied the film.


His 2005 FRONTLINE film, Al Qaeda’s New Front, won a Silver Baton at the duPont-Columbia Awards, a Gold Medal in New York and the Canadian Association of Journalists award for Outstanding Investigative Journalism. His other recent FRONTLINE films include: Supplements and SafetyPutin’s Way and On Our Watch.


Neil was “FRONTLINE Producer in residence” at the University of California’s graduate school of Journalism at Berkeley in 1997-98. In June ’06 he gave a master class at the Banff World Television Festival. And at the ’06 Geminis he won for best writing in a documentary for the script Party Games from the CBC’s China Rises documentary series.


He holds a B.Sc. (Honors) in economics from London School of Economics.

 

Special Screenings On Board:

Screening: Storm Lake directed by Jerry Ririus and Beth Levison, produced by Beth Levison

Does American democracy survive without the backbone of independent local journalism? Go inside The Storm Lake Times, a family-run newspaper serving an Iowa town that has seen its share of changes in the 40 years since Big Agriculture came to the area. Pulitzer-winning editor Art Cullen and his team dedicate themselves to keeping the paper alive as local journalism across the country dies out.

 

 

 

 

 

Screening: Writing With Fire by Rintu Thomas and Sushmit Ghosh

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Chief Reporter Meera and her journalists break traditions, redefining what it means to be powerful. Premieres March 28, 2022 on PBS’ Independent Lens.

 

 

Select Awards:

2022 Nomination: Best Documentary: Academy of Motion Pictures (OSCAR)

2021 Producers Guild of America Award Nominee 

2021 International Documentary Association (IDA) for Best Documentary Feature Award

2021 Sundance Film Festival Audience Award Winner 

2021 Sundance Special Jury Award: Impact for Change 

BlackStar Film Festival: Best Feature Documentary 

BlackStar Film Festival: Audience Award 

San Francisco Film Festival: Best Feature Documentary 

Wisconsin Film Festival: Audience Award 

Seattle International Film Festival: Special Jury Prize 

Washington DC Filmfest: Justice Matters Award

(NOTE: Speakers are subject to change.)

To join the group: Spotlight lectures, dinners, and cocktail parties, all unrivaled experiences – are open to all Regent guests at no extra charge. Join our “community at sea” by mentioning the group code “SPO” (for Spotlight) at the time of booking or add this experience to your “On Board Options” via Destination Services to reflect your interest in attending Spotlight on Public Broadcasting events.
A programming agenda will be delivered to your suite upon embarkation and along with exclusive invitations to activities and events that will be sent to your suite throughout the journey.

For more information about this cruise, please click the button below. To book this adventure, please contact Regent Seven Seas Cruiseline at 1-866-603-8485 or your local travel advisor.